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      <image:title>in farsi | به فارسی - من شما را نمی‌شناسم؛ - PROFESSIONA[ ]</image:title>
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      <image:title>/ the holy cross chapel - tehran - iran - [1986] [architect: rostom voskanian]   +</image:title>
      <image:caption>assuming the interior; reading the unknown ninel shahnazarian [2021]</image:caption>
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      <image:title>/ the holy cross chapel - tehran - iran - [1986] [architect: rostom voskanian]   +</image:title>
      <image:caption>absence from church to chapel; history, plan, structure, facade narineh davoodians [2021]</image:caption>
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      <image:title>/ the holy cross chapel - tehran - iran - [1986] [architect: rostom voskanian]   +</image:title>
      <image:caption>the unfold; from form to structure and vice versa anita ghorbani [2021]</image:caption>
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      <image:title>/ the holy cross chapel - tehran - iran - [1986] [architect: rostom voskanian]   +</image:title>
      <image:caption>skin and bones; the geometry of transformation parsa movassaghi [2021]</image:caption>
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  <url>
    <loc>https://www.afarfar.com/collateral-histories/zoghaliha-caravanserai</loc>
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    <lastmod>2022-08-26</lastmod>
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      <image:title>/ zoghaliha caravanserai - hamedan - iran - [unknown] [architect: unknown]   +</image:title>
      <image:caption>facade and the production of planes; imagination, information, and sensory data leila mohammadzali [2021]</image:caption>
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      <image:title>/ zoghaliha caravanserai - hamedan - iran - [unknown] [architect: unknown]   +</image:title>
      <image:caption>the paradox of stillness and motion kimia nakhjavani [2021]</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c885aff809d8e0d6d162d95/8ccb04a3-4495-4594-9ad2-65fd25caae78/the+DICHOTOMY+OF+PIERS+AND+ARCHS%3B+exploring+the+relationship+between+the+piers+and+the+coverings.jpg</image:loc>
      <image:title>/ zoghaliha caravanserai - hamedan - iran - [unknown] [architect: unknown]   +</image:title>
      <image:caption>the DICHOTOMY OF PIERS AND ARCHS; exploring the relationship between the piers and the coverings YAHYA KASHI [2021]</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c885aff809d8e0d6d162d95/b9d993b6-fdbe-4054-a047-7673f9bb237f/BIOGRAPHY+OF+THE+FORWORN+OBJECT%3B+HISTORICAL+FOOTPRINT+ON+THE+ARCHITECTURAL+BODY.jpg</image:loc>
      <image:title>/ zoghaliha caravanserai - hamedan - iran - [unknown] [architect: unknown]   +</image:title>
      <image:caption>BIOGRAPHY OF THE FORWORN OBJECT; HISTORICAL FOOTPRINT ON THE ARCHITECTURAL BODY ALI JAFARI [2021]</image:caption>
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      <image:title>/ zoghaliha caravanserai - hamedan - iran - [unknown] [architect: unknown]   + - Make it stand out</image:title>
      <image:caption>HEAR THE SOUNDS; REPRODUCTION OF SOUND IN ABANDONED SPACES SHABNAM SALEHI [2021]</image:caption>
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    <loc>https://www.afarfar.com/collateral-histories/ghale-haj-hassan</loc>
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    <lastmod>2022-03-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c885aff809d8e0d6d162d95/c9279737-5014-4ea0-a29d-b2c026c350e7/representing+the+Portal%3B+the+transition+from+opacity+to+corrosion.jpg</image:loc>
      <image:title>/ ghale’ haj hassan javaheri - koohpayeh - iran - [the Qajar epoch] [architect: unknown]   +</image:title>
      <image:caption>representing the Portal; shifting from opacity to corrosion atefeh norouzi [2021]</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c885aff809d8e0d6d162d95/4b161cd4-d8f7-4595-802c-9a44ec3a78c3/revealing+frequencies%3B+the+guiding+translators.png</image:loc>
      <image:title>/ ghale’ haj hassan javaheri - koohpayeh - iran - [the Qajar epoch] [architect: unknown]   +</image:title>
      <image:caption>revealing frequencies; the guiding translators ali abedzadeh [2021]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c885aff809d8e0d6d162d95/b8a23083-8691-4a49-8981-d361a02e35b7/the+figurative+void%3B+space+formation+systems.jpg</image:loc>
      <image:title>/ ghale’ haj hassan javaheri - koohpayeh - iran - [the Qajar epoch] [architect: unknown]   +</image:title>
      <image:caption>the figurative void; space formation systems romina kiani [2021]</image:caption>
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  <url>
    <loc>https://www.afarfar.com/collateral-histories/nasirolmolk</loc>
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    <lastmod>2022-03-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c885aff809d8e0d6d162d95/5850249e-4b8e-408d-8f33-a17e5b5b956e/roar%3B+the+particles+as+architecture.png</image:loc>
      <image:title>/ the pink mosque- shiraz - iran - [1888] [architect: mohammad hasan-e-memar]   +</image:title>
      <image:caption>roar; the particles as architecture arash olfate [2021]</image:caption>
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      <image:title>/ the pink mosque- shiraz - iran - [1888] [architect: mohammad hasan-e-memar]   +</image:title>
      <image:caption>interaction of colors; openings as vessels for light barbod alimohamadi [2021]</image:caption>
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    <image:image>
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      <image:title>/ the pink mosque- shiraz - iran - [1888] [architect: mohammad hasan-e-memar]   +</image:title>
      <image:caption>the intangible boundary; architecture of light Fatemeh saeeidinasab[2021]</image:caption>
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    <image:image>
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      <image:title>/ the pink mosque- shiraz - iran - [1888] [architect: mohammad hasan-e-memar]   +</image:title>
      <image:caption>the territory of light; the concealed fluid of space Mohammad hosein eghlidos [2021]</image:caption>
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  <url>
    <loc>https://www.afarfar.com/collateral-histories/charsoogh-choobi</loc>
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    <lastmod>2022-03-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c885aff809d8e0d6d162d95/db70e387-00e7-4c14-b023-018fcef6688a/a+linguistic+rupture</image:loc>
      <image:title>/ charsoogh choobi - tehran - iran - [the Qajar epoch] [architect: unknown]   +</image:title>
      <image:caption>a linguistic rupture; language confronts time homa nahavandi [2021]</image:caption>
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    <image:image>
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      <image:title>/ charsoogh choobi - tehran - iran - [the Qajar epoch] [architect: unknown]   +</image:title>
      <image:caption>lineament as project; drawing, confrontation of recorded and oral history pourya meshkati [2021]</image:caption>
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    <image:image>
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      <image:title>/ charsoogh choobi - tehran - iran - [the Qajar epoch] [architect: unknown]   +</image:title>
      <image:caption>a disturbed focus; recalling the centrality of one lost centrality parisa sayvani [2021]</image:caption>
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  <url>
    <loc>https://www.afarfar.com/collateral-histories/sheikh-zahed</loc>
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    <lastmod>2022-03-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c885aff809d8e0d6d162d95/150577fd-a3e7-48e4-84ac-01bfcd2766eb/the+ground%2C+the+dome%2C+and+in-between.jpg</image:loc>
      <image:title>/ sheikh zahed cemetery - gilan - iran - [15th century] [architect: unknown]   +</image:title>
      <image:caption>the ground, the dome, and in-between Amin Khodayegani [2021]</image:caption>
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    <image:image>
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      <image:title>/ sheikh zahed cemetery - gilan - iran - [15th century] [architect: unknown]   +</image:title>
      <image:caption>the ground, the dome, and in-between Amin Khodayegani [2021]</image:caption>
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    <image:image>
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      <image:title>/ sheikh zahed cemetery - gilan - iran - [15th century] [architect: unknown]   +</image:title>
      <image:caption>the ground, the dome, and in-between Amin Khodayegani [2021]</image:caption>
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    <loc>https://www.afarfar.com/collateral-histories/bembassy</loc>
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    <lastmod>2022-03-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c885aff809d8e0d6d162d95/f49bc41c-cf7b-4658-b4ec-c68a5403cda0/formal+flexibility+and+continuous+adaptation</image:loc>
      <image:title>/ british embassy - bushehr - iran - [1763] [architect: unknown]   +</image:title>
      <image:caption>formal flexibility and continuous adaptation ali dehghani [2021]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c885aff809d8e0d6d162d95/ebe8b1ce-505e-4b31-85e7-8924cac8fad3/formal+flexibility+and+continuous+adaptation</image:loc>
      <image:title>/ british embassy - bushehr - iran - [1763] [architect: unknown]   +</image:title>
      <image:caption>formal flexibility and continuous adaptation ali dehghani [2021]</image:caption>
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    <image:image>
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      <image:title>/ british embassy - bushehr - iran - [1763] [architect: unknown]   +</image:title>
      <image:caption>formal flexibility and continuous adaptation ali dehghani [2021]</image:caption>
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    <loc>https://www.afarfar.com/collateral-histories/alavian-dome</loc>
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    <lastmod>2022-03-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c885aff809d8e0d6d162d95/29ab9e03-b502-47a3-a8fd-7a1a88c7c159/the+city+and+the+dome</image:loc>
      <image:title>/  alavian dome - hamedan- iran - [12th centrury] [architect: unknown]   +</image:title>
      <image:caption>a dialogue between the city and the dome amirmahdy shaterian[2021]</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c885aff809d8e0d6d162d95/d6dd0945-bc9d-4cea-9d8c-fe77c827639f/inside-out</image:loc>
      <image:title>/  alavian dome - hamedan- iran - [12th centrury] [architect: unknown]   +</image:title>
      <image:caption>ornaments inside-out; patterns &amp; orientations hamed zolhavarieh [2021]</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c885aff809d8e0d6d162d95/e078bb56-413c-4bcf-a773-1d198e7d13f4/where+is+the+dome%3F</image:loc>
      <image:title>/  alavian dome - hamedan- iran - [12th centrury] [architect: unknown]   +</image:title>
      <image:caption>where is the dome? zahra ghiasvand[2021]</image:caption>
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    <image:image>
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      <image:title>/  alavian dome - hamedan- iran - [12th centrury] [architect: unknown]   +</image:title>
      <image:caption>bigness and reading the architectural object alireza qaseminasab [2021]</image:caption>
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    <lastmod>2022-03-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c885aff809d8e0d6d162d95/8b650fa3-1849-4b40-9fc0-1c53b30abcbe/the+phantom+of+the+opera+in+the+mirror+hall.jpg</image:loc>
      <image:title>/ mirror hall + the karimkhani nook - tehran- iran - [1845] [architect: sani al mulk]   + - the phantom of the opera in the mirror hall; depicting the fragmental virtual image</image:title>
      <image:caption>the phantom of the opera in the mirror hall; depicting the fragmental virtual image negar movahedi matin[2021]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c885aff809d8e0d6d162d95/88cacda4-2f6e-4ef4-a1fe-5ff65237a651/the+geometric+corner.jpg</image:loc>
      <image:title>/ mirror hall + the karimkhani nook - tehran- iran - [1845] [architect: sani al mulk]   + - the geometric corner; transformation of mirror ornaments to tiles</image:title>
      <image:caption>the geometric corner; transformation of mirror ornaments to tiles zahra shakeri [2021]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c885aff809d8e0d6d162d95/2abf154d-4f24-424d-81de-5a7db1a60e2c/the+Virtual+Image+and+Plurality</image:loc>
      <image:title>/ mirror hall + the karimkhani nook - tehran- iran - [1845] [architect: sani al mulk]   + - the Virtual Image and Plurality; Distortion of Connections and Spatial Relationships in Mirror hall</image:title>
      <image:caption>the Virtual Image and Plurality; Distortion of Connections and Spatial Relationships in Mirror hall mahsa ardeshiri[2021]</image:caption>
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    <loc>https://www.afarfar.com/collateral-histories/bazeh-hour</loc>
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    <lastmod>2022-06-13</lastmod>
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      <image:title>/ bazeh hur - mashhad- iran - [~249 b.c.-246] [architect: unknown]   +</image:title>
      <image:caption>sqaure and piere in dialogue narges hosseini [2021]</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c885aff809d8e0d6d162d95/cfedd0e9-2041-44ce-8880-b981c73f8b87/the+oldest+dome+and+the+hidden+core+within+the+chartaqi</image:loc>
      <image:title>/ bazeh hur - mashhad- iran - [~249 b.c.-246] [architect: unknown]   + - Make it stand out</image:title>
      <image:caption>the oldest dome and the hidden core within the chartaqi hoda araji [2021]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c885aff809d8e0d6d162d95/bd6df71f-dfed-46e4-a999-761e4530e829/sqaure+and+piere+in+dialogue.jpg</image:loc>
      <image:title>/ bazeh hur - mashhad- iran - [~249 b.c.-246] [architect: unknown]   +</image:title>
      <image:caption>sqaure and piere in dialogue narges hosseini [2021]</image:caption>
    </image:image>
    <image:image>
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      <image:caption>Farnoosh Farmer. Graduate Thesis, 2018.  The Cooper Union, New York, NY. Lea Bertucci, Photographer. Courtesy of The Irwin S. Chanin School of Architecture Archive of The Cooper Union.</image:caption>
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